Tolstoy’s melodramatic impulse means it can only end badly, but with the men variously feckless and detached and the women resistant and assertive, this is a sparky feminist cry for liberation.Īt the Royal Lyceum, Edinburgh, until 3 June. This Penguin Classics Deluxe Edition also features French flaps and deckle-edged paper.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. Where she was calm facing down her jealous husband (Stephen McCole) and temperate placating her aggrieved sister-in-law (Jamie Marie Leary), now she is both imbalanced – heavy hints of Lady Macbeth – and free to speak her mind. Beautiful, vigorous, and eminently readable, this Anna Karenina will be the definitive text for fans of the film and generations to come. Their arguments bounce across each other in a choreographed collision of ideas about love, fidelity and commitment, the themes of the novel finding theatrical form.īy this point, Campbell has gone from the pragmatic mother to a woman let loose from social constraints. While Anna (Lindsey Campbell) squares up to Vronsky (Robert Akodoto), whose allure is wearing off, Kitty (Tallulah Greive) loses patience with Levin (Ray Sesay), the husband who is too sensitive for his own good. Described by William Faulkner as the best novel ever written and by Fyodor Dostoevsky as flawless, Anna Karenina tells of the doomed love affair between the. The approach reaches its height in a circling conflict between the two central couples in an excellently acted production. Constant movement … Lesley Hart’s adaptation of Anna Karenina.
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